| Identification and description | |||||||
|---|---|---|---|---|---|---|---|
| Name | KEARSNEY COURT | ||||||
| Location | 
                     
  | 
               ||||||
| Localisation | Latitude: 51.148157 Longitude: 1.2660544 National Grid Reference: TR 28524 43838  | 
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| Overview | Heritage Category: Park and Garden  Grade: II List Entry Number: 1001696 Date first listed: 15-Mar-2007  | 
               
The landscape around Kearsney Court, laid out about 1900, was one of the first independent
               commissions by Thomas Mawson, the leading landscape designer of the early C20. It
               was designed to provide an appropriate setting - almost a park in miniature with ambitious
               terraced gardens, wider park-like grounds, a kitchen garden and appurtenances like
               stables and lodges - for a manufacturer's new residence in the countryside just outside
               Dover. Clearly Mawson himself viewed the commission as a success, including several
               plates of the landscape in his The Art & Craft of Garden Making.
HISTORIC DEVELOPMENT Kearsney Court was planned in 1899 for Alfred Leney, a brewer
               and drinks manufacturer. The site chosen was on rising ground above the hamlet of
               Kearsney, the northern half of which was occupied by Palmtree Hill Plantation and
               the lower open ground. However, the project was soon sold on to Edward Percy Barlow,
               the owner of Wiggins Teape, a paper manufacturer. The house was completed about 1900,
               and at about the same time - the Canal Pond summerhouses were still under construction
               in 1902 (Builders Formal and Architectural Record 1902, 371) - the grounds were laid
               out by Thomas Mawson (1861-1933), perhaps the leading, and certainly the most prolific,
               landscape designer of his day. This was probably one of Mawson's earliest independent
               commissions, and it was probably an erroneous attribution, a decade later by the Gardeners'
               Chronicle (28 June 1913, 438), to Mesrs. Mawson Bros. of Windermere, the family firm
               he had recently broken away from. Several set-piece photographs of Kearnsey were included
               in Mawson's main account of his life's work, The Art & Craft of Garden Making which
               appeared in five editions between 1900 and 1926. On Barlow's death in 1912 the property
               passed to Mr. Johnstone, a London newspaper man, and was later a nursing home and,
               in the Second World War, a military hospital. About 1950 the whole estate was bought
               by a development company; the main house was split into seven residential freeholds,
               and later several new houses were erected off the main drive. Part of the grounds
               (including the lowest third of the formal gardens) was acquired by the local authority
               for a park (now known as Russell Gardens), but overall the essential character of
               the site remains unaltered.
DESCRIPTION LOCATION, AREA, BOUNDARIES, LANDFORM, SETTING Kearsney Court stands in
               above the hamlet of Kearsney in Temple Ewell, on the north-west fringe of Dover. The
               site, as here designated, occupies a site running uphill to the north from a valley-bottom
               stream, its northern half steeply so. The boundaries of the site follow the B2060
               Alkham Road to the south; fence lines running through the steeply sloping woodland
               to the north of the house; and to the west again a fence line. From the house, close
               to the north edge of the site, there are views of about 2km across the valley, originally
               to farmland but now to secondary woodland. The setting remains fairly rural, certainly
               that is the sense within the grounds, although there has been some piecemeal development
               around and within the edge of the site. The last comprises six detached houses built
               off the south side of the drive to the west of South Lodge in the mid-late C20. They
               are excluded from the designated area.
ENTRANCES AND APPROACHES The grounds are entered from an entrance at their eastern
               extremity. The is marked by two pairs of sturdy, square-sectioned 2.5m high brick
               and tile gate posts with concrete half-ball tops incised to resemble ashlar. The piers
               define the main vehicular access (the gates across which are lost) and pedestrian
               wicket gates to either side. The wickets have identical white-painted wooden gates,
               either those shown in a c.1907 photo (Mawson 1907) or close copies. Behind, a pair
               of identical two-storey, L-plan lodges, North Lodge and South Lodge, of about 1900
               face each other across the start of the drive. These are two-storey L-plan buildings
               in a simple Arts and Crafts style each with a large bay window projecting, toll house-style,
               towards the drive. From here the drive curves upwards for 150m before levelling out
               and straightening for the final 80m approach to the house. The drive now stops short
               of the house at a row of C20 garages (not of historic interest) and a parking area.
               Originally it continued to a porte cochere (removed) on the north side of the house.
               PRINCIPAL BUILDING Kearsney Court (not listed) is aligned east-west close to the northern
               boundary of its grounds, which fall steeply away to the south. The original plans,
               which were for a rather severe gothic house, were amended and softened by a local
               firm of architects, Worsfold and Hayward of Dover. It comprises an irregular, two-storey,
               50m-long building. On the main south front three short gabled wings project forward
               at either end of the main house and at the centre; west of the west gable is the former
               service wing. Architectural detailing includes full-height bay windows to the central
               and eastern gabled wings, and a balcony supported on wooden pillars between the central
               and western wings. The latter has a large ground-floor bay window. At the north-east
               corner of the house is a three-storey turret with an elaborate conical roof with dormer
               windows from an observation room. Internally the house was well- appointed with good
               quality carpentry and fittings. Inevitably various alterations were made when the
               house was subdivided c.1950 but its external appearance and essential character remains
               little altered.
150m east of the house is its former stables, built c.1900 and converted in the C20
               to The Gables, a substantial two-storey ashlar and flint house with decorative timber-framed
               gable.
GARDENS AND PLEASURE GROUNDS Mawson's plan for the gardens and grounds was apparently
               executed as intended, and comprises a series of formal terraces dropping steeply away
               from the house to a lower pleasure ground with a large formal Canal Pond. The grounds
               are arranged about a central axis aligned on the balcony between the central and western
               gabled wings of the house.
A narrow terrace runs along the south front of the house, now mainly of grass and
               partly subdivided by hedges planted since the house was split up c.1950.The terrace
               is bounded by a balcony of arcaded brickwork, topped with half-round bricks in which
               are set short iron rods supporting a chain. The rods and chains do not appear on early
               photos of the gardens (e.g. Mawson 1907) and were presumably introduced in the C20
               as a safety feature. From the centre of the terrace angles flights of stairs lead
               left and right down to the next terrace, with a seating alcove between them. The wall
               which supports the uppermost terrace stands some 3m tall, and is broken into bays
               by buttresses. Originally both it and the other terrace walls were planted with pear
               trees grafted on to quince stock (Gardeners' Chronicle 28 June 1913, 438). At either
               end bastion-like sections with angle buttresses project slightly forward. As part
               of the subdivision of the property c.1950 additional access was provided between the
               uppermost terrace and the next by means of two steel fire escape-like stairs, one
               either side of the main flight of stairs. The second terrace is again narrow, and
               was fronted by white-painted wooden rails and balusters (both missing) set between
               brick buttress piers rising from the terrace wall. From this terrace the main flights
               of stairs angle back to the third terrace which is broad, grassed, fronted by a golden
               yew hedge and with clipped yew balls against the brick terrace wall behind. The central
               path leads via steps to the fourth terrace, to the rear of which is a shallow-ramped
               flower bed and to the front stubby brick piers with stone ball cappings linked by
               chains. This terrace overlooks one of the centrepieces of the garden, the Bastion,
               a semi-circular garden with central pool again supported to the front by a substantial
               2m high brick wall. The interior of the Bastion is now lawned, although the lines
               of its original gravel paths and flower beds can still be clearly made out.
The view from the Bastion south is now lost, as tall secondary woodland has been allowed
               to grow up immediately beyond along what, since 1950, has been the boundary between
               the grounds of Kearsney Court and the Russell Gardens public park which now occupies
               the lower southern part of the pleasure grounds. The axial steps lead first to a rectangular
               formal pool (now dry and somewhat dilapidated) set between fenced grass tennis courts.
               These occupy an area intended by Mawson to be divided between tennis courts and slightly
               larger croquet lawns. South of the tennis courts is one of the main features of the
               grounds, a long, formal canal, the Canal Pond, made by Mawson along the swampy ground
               of a stream bed. Measuring 160m long from east to west and 15m wide and with a expanded
               circular central section, the Pond is closed at either end by ornamental covered bridges
               (or summerhouses; early C20 accounts vary in their terminology), Arts and Crafts interpretations
               of Palladian antecedents. That to the west carries the stream into the Pond via a
               'chute', a shallow flight of semi-circular steps. At the centre of the south side
               of the Pond is a boathouse of identical character comprising a summerhouse with white-painted
               pillars to the front and a hipped time roof over a simple brick basement with arched
               boat entrance to the front. East of the Canal Pond was what in 1902 was described
               as a bog and rock garden (Builders Formal and Architectural Record 1902, 371).
West of the tennis courts is a children's playground with apparatus and a brick public
               lavatory of the mid C20, while immediately south-west of the courts is a shelter,
               rebuilt in the late C20 as a pergola-like structure with brick piers.
To either side of the tennis courts and the Canal Pond are informal lawns and paths
               with, especially in the western half of the grounds, mature specimen trees presumably
               mainly introduced c.1900.
KITCHEN GARDEN Mawson's design included a substantial walled kitchen garden, located
               on south-facing ground to the south-east of the house and aligned on it and its gardens.
               Measuring 90m east-west by 40m it is surrounded by tall, well-detailed, brick walls
               with angle buttresses with an ornamental entrance with double wooden doors under a
               pedimented arch in the west wall. The garden was divided into four, with an ornamental
               water tank at the centre. At the east end of the garden there were extensive glasshouses
               including vinery, peach house and heated pits; the Gardeners' Chronicle in 1913 recorded
               that previously (suggesting that Mawson's scheme was already being simplified) 8,000
               bedding plants were raised each year including 3,000 Perlargoniums. Against the inner
               face of the east wall is a modest gardener's cottage or bothy. Presumably when the
               house was subdivided the kitchen garden lost its original function and became the
               private garden of the former gardener's cottage, which it remains in 2006. The head
               gardener's house of c.1900, a single-storey part flint-walled house with a timber-framed
               gable and red tile roof (originally The Bungalow, now Courtland Cottage), stands 50m
               north-east of the cottage.
REFERENCES Builders Formal and Architectural Record (1902), 371 T.H. Mawson, The Art
               & Craft of Garden Making (1907 edn) Architectural Review (August 1910), 71-2 Gardeners'
               Chronicle (28 June 1913), 438 G. Jellicoe et al, The Oxford Companion to Gardens (1991),
               sv Mawson, Thomas Hayton Oxford Dictionary of National Biography, sv Mawson, Thomas
               Hayton
Maps OS 6" to 1 mile: 1st edition, published 1867; 2nd edition 1899; 3rd edition 1908;
               4th edition 1938 Site plan published in Mawson 1907
Description written: November 2006
               
This garden or other land is registered under the Historic Buildings and Ancient Monuments Act 1953 within the Register of Historic Parks and Gardens by Historic England for its special historic interest.