| Identification and description | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Name | NORBURY PARK | ||||||||||||
| Location | 
                     
  | 
               ||||||||||||
| Localisation | Latitude: 51.266100 Longitude: -0.33381373 National Grid Reference: TQ 16342 53201  | 
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| Overview | Heritage Category: Park and Garden  Grade: II List Entry Number: 1001252 Date first listed: 17-Feb-1992  | 
               
Pleasure grounds and a large park laid out by William Lock in the late C18 to accompany
               a new country house, and in part incorporating existing parkland.
HISTORIC DEVELOPMENT
Norbury is first mentioned in the Domesday Survey of 1086. In the early C14 'the manor
               called le North Bury' in Mickleham passed to the Husee family (VCH 1902-12), and then
               in 1425 to the Wymeldon family via the female line. In 1499 the estate was acquired
               by the Stidolphs, who held it until 1705 (ibid). The diarist John Evelyn visited the
               estate in 1655 and admired the great number of walnut trees (de Beer 1955). The remains
               of a medieval field system survive within the park, and the area was at one time enclosed
               by a park pale (LMS 1999). Norbury appears on the 1729 Senex Map of Surrey as a house
               and trees in the loop of the River Mole. Tycho Wing's estate map of 1731 shows an
               open landscape with three formal avenues radiating from the manor house close to the
               river. In 1766 the estate was sold to Anthony Chapman, who may have been responsible
               for felling thousands of walnut trees in the park for their timber value before selling
               Norbury in 1774 to William Lock (1732-1810). A noted connoisseur of the fine arts
               and a man of means, Lock pulled down part of the existing manor house, converting
               what remained into a farm; it now forms part of the property called The Priory. A
               new house was commissioned from Thomas Sandby, occupying a site which would take full
               advantage of the picturesque qualities of the area. Lock corresponded frequently on
               picturesque theory with William Gilpin (1724-1804): 'I really think you have more
               picturesque erudition than any man I know' wrote Gilpin to his friend in 1782 (quoted
               in Percy 2001) and Norbury Park in Lock's time became a fine example of the picturesque.
               Gilpin dedicated his Three Essays on Picturesque Beauty; on Picturesque Travel; and
               on Sketching Landscape to Lock, with the acknowledgement that 'the best remarks and
               observations in them are yours'. In his Observations on the Western Parts of England
               in 1798, Gilpin wrote of Norbury: 'great houses in general resemble each other so
               nearly that it is difficult to find among them any characteristic features. Here the
               whole is new'. The writer Fanny Burney (1752-1840) was a great friend of the Locks,
               frequently staying at Norbury. Between visits Frederica Lock wrote to her 'in the
               fern house' and sent flowers from the garden. Fanny met her husband to be, General
               Alexandre d'Arblay, one of a group of French aristocrats who fled to England, when
               he stayed at nearby Juniper Hall, Mickleham. Lock offered the couple a plot for a
               new home at Westhumble, immediately to the south, the building of which was financed
               by the novel Camilla; it was named Camilla Cottage.
After William's death in 1810, his son (also William) neglected Norbury, then put
               it up for sale as too expensive to maintain. In 1819, the estate was sold at auction
               to E Fuller Maitland who subsequently exchanged the house for another with H P Sperling,
               who developed the pleasure grounds around the mansion. Sperling sold Norbury in 1848
               to Thomas Grissell (1801-74), a railway engineer. It was during his occupation that
               the railway was put through the estate, and it was as a result of his influence that
               it was put into a tunnel with no shafts for ventilation permitted. Decorated structures
               had to be provided throughout and so the three viaducts over the Mole had coloured
               brickwork, cornices, and ornamented cast-iron parapets. A plantation of trees at least
               5m in height was to screen the north end of the tunnel and trees were to be put in
               and grass sown on all railway banks within sight of the house. After Grissell's death
               the estate continued to be carefully maintained by his grandson, Thomas de la Garde
               Grissell, and equally prized by his successor, Leopold Salomons who owned it from
               1890 until 1914. Salomons, the benefactor who gave Box Hill to the National Trust,
               had planned to bequeath Norbury to the nation but died before he could complete the
               arrangements and in 1914 Sir Edward Mountain of Eagle Star acquired the property.
               In February 1930, after almost two decades of neglect, Norbury was put up for auction
               and possible speculative housing development. James Chuter Ede, then Chairman of Surrey
               County Council and a great lover of the Mole valley, took it upon himself to secure
               an option on the property which was then purchased by Surrey County Council. The mansion
               and 17ha of park around it were sold on in 1932 to H V Roe (of Avro, the aircraft
               manufacturer) and his wife, Dr Marie Stopes who lived there until her death in 1958;
               the mansion remains (2000) in private ownership. Of the land owned by Surrey County
               Council, the farmland is farmed under tenancy; the wooded areas are managed by the
               Surrey Wildlife Trust and are open to the public for access on foot.
DESCRIPTION
LOCATION, AREA, BOUNDARIES, LANDFORM, SETTING Norbury Park stands on the southern
               escarpment of the North Downs where the hillside is bisected by the north/south valley
               known as the Mole Gap. The town of Dorking lies 4km to the south and Leatherhead 2.5km
               to the north. The c 150ha site here registered forms a broad crescent rising steeply
               to the west and south-west from a bend in the River Mole opposite the village of Mickleham.
               The registered area consists of parkland in mixed agricultural use, with arable and
               pasture in the river valley and on the lower slopes, and woodland on the higher slopes
               and ridge of the Downs. Some remnants of parkland railings remain around the estate,
               particularly beside the main drive. To the north-west the site adjoins Updown Wood
               and Fetcham Downs while to the south-west lie fields and further woodland. To the
               south-east the park is bounded by fields adjacent to the River Mole, the river itself
               forming the boundary to the east and north-east. Much of the surrounding land is within
               the Country Park.
Norbury Park mansion occupies a commanding position on the ridge of the Downs and
               enjoys views to Dorking in the south, Box Hill to the south-east, Cherkely Court across
               the valley to the east, and north to Leatherhead and London beyond.
ENTRANCES AND APPROACHES There are two vehicular accesses into the park from the A24
               across the River Mole. One is the entrance from Mickleham village to the south-east
               over the three-arched, brick-built Weir Bridge (early-mid C19, listed grade II). The
               drive curves to the east before running north-west past the old kitchen garden and
               Norbury Park Farm, crossing the Mole again at Presforward Bridge, c 1km north-east
               of the mansion, and leading north towards Leatherhead. By the mid C19 there were lodges
               at both bridges (Sale particulars, 1848), but neither survived the building of the
               new Leatherhead to Dorking road in the 1930s (OS 1938). The mansion is approached
               from a drive which zig-zags up the hillside westward from the site of the original
               house, The Priory. This drive was constructed by Sperling as an improvement to Lock's
               drive further to the north which was straighter but very steep. The remnants of box
               trees which once lined both drives still grow in the vicinity of the house. A second
               drive, constructed in the mid C19, approaches the park from the village of Westhumble
               to the south. The drive runs north from Crabtree Lane then passes through Beechy Wood
               and along the west edge of the Druids Grove. Today (2000), pedestrian access to the
               wider park area is encouraged by the provision of car parks at Bocketts Farm to the
               north (outside the area here registered), and in Beechy Wood, north of Crabtree Lane,
               to the south. The railway station (listed grade II) at Westhumble, south of the park,
               was built in 1867 to an ornamental design as specified by Grissell; it remains (2000)
               in use.
PRINCIPAL BUILDING Norbury Park mansion (listed grade II*) was designed by Thomas
               Sandby in 1774. Gilpin commented that the house 'pretends only to comfort and convenience'
               (Gilpin 1798). During Grissell's ownership the house was refaced to give it a more
               classical appearance with pilasters, a parapet, and cornices added and the building
               was extended by P F Robinson in 1820. The house is three storeys high and has a semi-basement.
               The entrance front is cemented and has a large porch with twin Doric columns. The
               rear elevation is constructed in white brick. To the north-west and detached from
               the house are the stables, and to the north-east is a similar building, presumably
               once the kitchens. These square, two-storey buildings with hipped slate roofs (listed
               grade II*) take the form of pavilions flanking the main portion of the house on its
               north side. A Victorian clock tower has been added to the stable building.
The house has a remarkable drawing room in which three of the four walls are decorated
               with landscape scenes, the fourth having a large window with views south to Box Hill,
               emphasising the natural picturesque quality of the park and the Mole valley. The ceiling
               is painted as sky seen through a circular trellis. The design was executed by George
               Barret (1728-84) in 1783, with the help of Gilpin's brother Sawrey for the animals,
               Giovanni Cipriani (1727-85) for the figures, and Benedetto Pastorini for the sky.
GARDENS AND PLEASURE GROUNDS The curtilage of the privately owned Norbury Park mansion
               encompasses the gardens and pleasure grounds and is enclosed by a 2m wire deer fence,
               planted with shrubs to ensure privacy. The gardens on the north side of the house
               are laid to lawns with informal tree plantings; few mature trees survived the storms
               of 1987 and 1990. West of the house is a rectangular area enclosed by clipped yew
               hedges and to the south-west a small forestry plantation. On the ridge to the north-east
               a new (1998) walled garden has been created. The steep slope to the south of the house
               is planted as a rock garden. The pleasure grounds outside the door from the painted
               room were first laid out and planted by Sperling in the 1820s. He was also responsible
               for opening up vistas to the north-east, by the removal of the upper portion of a
               large chalk hill which had previously bounded the view in that direction.
PARK The eastern area of the park adjoining the river is in agricultural use, the
               fields either arable or pasture. Norbury Park Farm is situated on low-lying ground
               c 1km north-east of the house, close to the river. The farm includes an ornamental
               dairy with decorated bargeboards. To the east of the farm is The Priory, on the site
               of the former manor house. The railway crosses the park in Norbury Tunnel, which runs
               through the east end of the ridge c 450m east of the house. The spine of the park
               along the ridge is woodland, with minimal management in order to encourage wildlife.
               The steeper slopes are covered by ash and sycamore saplings; again, few mature trees
               survived the storms of 1987 and 1990 except in the area east of the house where there
               is a group of cedar trees and some beech. A saw mill run (2000) by Surrey County Council
               for timber from the estate is situated 220m west-north-west of the house. Near the
               northern entrance to the railway tunnel, within Icehouse Combe, are the remains of
               the estate icehouse.
Tycho Wing's estate map of 1731 shows essentially an open landscape at Norbury, with
               small areas of woodland on the crest of the Downs (LMS 1999). Three formal avenues
               are shown radiating from the manor house, one of which runs up across the scarp to
               terminate near the Druids Grove. The park was divided into three parts: Old Park,
               Upper Old Park, and New Park. The site here registered corresponds broadly with the
               area enclosed by the medieval park pale (ibid). The earlier park to the west of the
               old manor house was extended south-westwards down to the river by Lock to give an
               extensive and well diversified parkland setting for his new house. The park was laid
               out to picturesque advantage by Lock in the late C18, with a network of walks running
               along the steeply sloping hillside to the south-west of the house from where there
               was a series of views down into the valley and across to Box Hill. Despite Chapman's
               tree felling in the 1760s,the slope was probably wooded with mature oaks and beech
               when Lock arrived, and the extensive planting of yew trees on the slope to the south
               of the house, now called Druids Grove, may also predate his arrival. A watercolour
               of c 1780 by George Barret shows a grassy glade in woodland. Gilpin admired the results
               of Lock's work, describing the woodland walk on the 'downy hill' to the west of the
               south front of the house, which wound along the slope giving glimpses of the valley
               below, some of them 'seen through the spreading arms of an oak or beech, as through
               the frame of a picture' (Gilpin 1798). The descent from the north side was even more
               picturesque, with its 'oblique sweeps of descending foregrounds, everywhere well-wooded',
               making the whole what he imagined as being 'a good Alpine picture' (ibid).
The park has become steadily more wooded, with extensive planting of broadleaves in
               the late C19/early C20. Many of the views for which Norbury was famed are now obscured.
KITCHEN GARDEN The walled kitchen garden was situated in the valley bottom, to the
               south of The Priory. Rocque's map of c 1768 shows the site as a formal garden, and
               Keane in 1849 wrote of 'descending by the winding road to the kitchen garden' and
               then describes the 21/2 acre (c 1ha) site with its walls of flint stones and a new
               vinery, 41' (c 12m) long, heated by hot water. The 1848 Sale particulars list a vinery,
               peach house, and orchid house and a gardener's cottage. The accompanying map shows
               a large orchard to the east of the garden.
In 2000 a new walled kitchen garden was built in the grounds of Norbury Park.
REFERENCES
W Gilpin, Observations on the Western Parts of England (1798, reprinted 1973), pp
               11, 14, 26-8 J Hassell, Picturesque Rides and Walks 1, (1817), p 15 T Maule, A Topographical
               Description of Surrey (1837) E W Brayley and J Britton, Topographical History of Surrey
               4, (1841-8), pp 448, 452-4 W Keane, The Beauties of Surrey (1849), pp 107-9 J B Burke,
               A Visitation of the Seats and Arms ...2, (1853), p 221; 2nd series 1, (1855), pp 246-7
               Gardeners' Chronicle, i (1882), pp 667-8 Victoria History of the County of Surrey
               3, (1902-12), p 305 Proc Leatherhead District Local Hist Soc 1, no 8 (1954); no 9
               (1955) E S de Beer (ed), The Diary of John Evelyn (1955) R Shepperd, Micklam, The
               Story of a Parish (1991), pp 75, 131, 160 Norbury Park Restoration Plan, (Land Management
               Services Ltd (LMS) 1991) J Percy, In Pursuit of the Picturesque (2001), pp 66-84
Maps Senex, Map of Surrey, 1729 Tycho Wing, Norbury Park estate map, 1731 (Surrey
               History Centre) J Rocque, Map of the County of Surrey, surveyed c 1762, published
               1768 Plan of ... Norbury Park, Sale particulars, 1848 (Surrey History Centre)
OS 6" to 1 mile: 2nd edition published 1897 3rd edition published 1919/20 1934 edition
               1938 edition OS 25" to 1 mile: 1st edition surveyed 1869, published 1883 2nd edition
               published 1896 3rd edition published 1914 1934 edition
Illustrations George Barrett, watercolour, scene in Norbury Park, c 1780 (reproduced
               in LMS 1991)
Archival items Sale particulars, 1848 (Surrey History Centre)
Description written: March 2000 Amended: May 2003 Register Inspector: BJL Edited:
               September 2002
This garden or other land is registered under the Historic Buildings and Ancient Monuments Act 1953 within the Register of Historic Parks and Gardens by Historic England for its special historic interest.